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18 May 2026·3 min read

Does your main character have room to act?

When a story feels stuck, it can help to look at the choices your main character gets to make.

Go through a few scenes and mark where your main character makes a choice. Then look at what follows from it.

If most of the action comes from other people, consider whether your protagonist has room to affect the story. There’s no ideal ratio. A small choice can matter more than a page of activity.

Look beyond how likeable they are

A thoughtful or sympathetic character can still have very little influence on the story.

Look for what they want and what they do about it. That might be a direct action, a refusal or a decision to wait. What matters is whether the choice has consequences.

Try one decision

Choose a scene where your protagonist mostly reacts. Give them a decision within it and follow what changes.

It can be a poor decision. The point of the exercise is to see what happens when the character has a part in shaping the outcome.

Read more

These books explore the ideas in more detail, with examples you can try in your own work.

  • The Art of Fiction · John Gardner

    A detailed look at how fiction works, including narrative distance and the experience of reading.

  • Stein on Writing · Sol Stein

    Practical guidance on revision, with exercises to try on a draft.

  • The Anatomy of Story · John Truby

    An approach to structure through character, conflict and the ideas a story explores.

For feedback on your own draft, Karlove offers a letter with examples from your pages, reviewed by Aksel before it's sent.